Monday, April 23, 2018

Final Performance


Reflection of our Performance
I have broken my response into three categories: 1. What I learned as an Artist/Educator 2. What I Contributed 3. Modified version of this Assignment in the Classroom
What I learned as an Artist/Educator: This project was really great because as an educator I really learned what it meant to focus on the process. We talk a lot about it in our classes; how we should be focusing on the process as well as the performance. We don’t always talk in detail about how we do that. This project really broke down the parts and we had a lot of time to work on each of these individual parts before we had to put them together. This was great because as a theatre maker I just wanted to get it on its feet so that we could start running the performance. However, by separating the parts and by allowing us to work on each of these parts separately it allowed us to really think through what we were presenting. This allowed room for us to really think about each individual part of the project instead of worrying about whether the final performance was going to be up to par. However, I do believe that by breaking down the project and focusing on the process made the performance even better. I believe this is true because we had thought through many aspects of our performance in advanced and knew where we wanted to go. That allowed us to pick and choose things in the final stages of our performance that would benefit our overall vision.
What I contributed: This is one group project that I have done that I can honestly say everyone pitched in. I feel like that because we all were responsible for aspects and stories that were incorporated into the final performance. I do feel that I had a vital role in this process, but I believe that we all did. I would describe my role in this process as the “putter together” person. I felt like I did a great job about taking all of the ideas we wanted and meshed them together. In talking and prepping, I would always restate ideas to make sure we were on the same page and then ask the person to elaborate on how they saw this moment; then how they saw it playing out in the performance. This then allowed me to see what they wanted and then I often worked through with them on how we could fit it in with the other pieces. This then lead to my role of putting the PowerPoint together. I took media that was made by everyone and I meshed it together in a way that flowed and made sense for our performance. I really enjoyed this position that I forged because often I find myself being the loudest voice in a crowd and I felt like I allowed myself to take a step back from that. I was able to focus on listening and helping others in our group create their moments. This was a great growing opportunity for me as I found myself taking a different role in a process I have done many times.
Modified Version of this Assignment in the Classroom: I really enjoyed this project and I would love to do something similar in the classroom. One piece of our project that I thought was the 30 seconds stories. (Some of them were longer than that, but the name is more catchy than other titles.) I would love to adapt this assignment to be a 5-8 performance where students would create their own performance utilizing the 30 second story structure. Allow students to come together and decide what stories they would like to share. Allow them to pick a subject and then find or tell their own stories. Then push them to think about media, images, audio, bodies etc. and how they contribute to the telling of stories. And do this by mirroring a very similar process that we had, just on a smaller scale. I really liked how we were able to collaborate and so one thing that I would focus on in this project is collaboration. I would probably take more time/lessons to talk and explore what collaboration means and how it can affect the final project. This could like some lessons before we even talk about the project of creating small performances or projects in small groups. To even team building activities and discussions. Another thing that I would probably explore before we dive into this project is what it means to represent someone’s story. The many ways that it can be done and the ways that maybe it shouldn’t be done—exploring how we would want our stories to be told and how we should tell others.

Wednesday, April 4, 2018

DMP Visual and Mediascape draft

First Story:
Second Story Visual Transitions:
This and then the reverse of this video.
Then the fireworks: 

https://www.youtube.com/watch?v=5eLcHJLDlI8


30 Second Scenes: 
 Michaella Visual: 

Last time I talked about the audio affects and how that is going to allow us to tell a lot of stories. This time I will be talking about the visual affects. The visual affects are becoming the way that we ground our stories in a space and show the audience that we are telling different story from before. We are also using images to evoke the feelings that we saw in the stories that we are telling. 


















Tuesday, April 3, 2018

DMP Soundscape draft

1st Story: Divorce
-Mother's Journal Entry Voiceover.

2nd Story: Laura's Story
-Laura's Interview

3rd Story: Storm Out
-Car Starting and Driving out
           https://www.youtube.com/watch?v=ta8u3CrJiuw
-iPhone Text Sound
           https://www.youtube.com/watch?v=xYTWPHHA_BA
-iPhone Ringtone
           https://www.youtube.com/watch?v=io3OWA2K9ZI
-Fireworks
           https://www.youtube.com/watch?v=5eLcHJLDlI8
-Static
           https://www.youtube.com/watch?v=bf7NbRFyg3Y

30 Second Stories:
-Soft Rain

These sounds are going to help us take a lot of opinions and stories and share them with our audience. These sounds are also going to help us to get the audience to form their own opinions about family because we aren't just giving them one answer to what a perfect family can look like. These sounds will also help us transition from story to story keeping the performance moving.